Times Square, New York, NY
Times Square is the heart of New York City—a blur of bright lights and billboards, noise, steam, passion and possibilities. It is spectacle made manifest, day and night. For Valentine's Day we offer the Heart of Hearts, a space for both intimacy and performance within this spectacular atmosphere. A faceted ring of nine golden, mirrored hearts creates a pavilion that reflects and multiplies the pulsating activity of Times Square, creating a kaleidoscopic interior that dissolves the boundaries between viewing and performing. Within the ring, diamond-shaped spaces inside each heart create "kissing booths" where couples find their activities mirrored, allowing both privacy and publicity within the Heart of Hearts.
New York, NY
The new home of Van Alen Institute has to be many things at once. It requires curatorial flexibility for a breadth of public programming including exhibitions, lectures, reading groups, and book launches; a comfortable and efficient office environment for different scales and modes of work ranging from formal to casual; a framework that can grow to include the second floor and basement as the institution expands in the future; and a mobile street seat that brings Van Alen Institute’s mission into the urban realm. To accommodate this range of possibilities within a limited square footage, we proposed a Screen Play; a mechanism to order these spatial, curatorial, and temporal scenarios through a subtle interplay of surfaces that creates a complex and ambiguous presence in the city.
A Peace Corps Memorial
This commemorative work is based on the central framework of the Peace Corps: sending participants on journeys that bring people together and dissolve boundaries of geography and culture. A ribbon of laminated structural glass unfolds along a single undulating line, creating an inner world of reflection and contemplation. A myriad of portals encourage a tapestry of overlapping paths through the site, allowing visitors to discover shared spaces of exchange along and across this ethereal veil. The glass descends in height toward the middle of the site to create a bowl defined by the tracery of the wall's edge—a singular, unifying form cradled above, just beyond the fingertips of inhabitants. The shared paths of people through time create a contemporary mappa mundi, a new cartography whose Latin origins refer at once to a cloth or tapestry (mappa) and to the image of the globe (mundi).
A Hub for the Performa 15 Biennial
Performa Prospettiva offers an unexpected perspective of the Performa Biennial. Literally. The design adopts the technique of forced perspective, a perceptual sleight of hand established in the Renaissance and made iconic in stage sets such as Palladio and Scamozzi's Teatro Olimpico. This technique makes happenings occurring deep within the Perfoma Hub appear closer to the front of the space. The tapering enfilade collapses the overlong space into a sequence of visually accessible chambers. Mediating translucent scrims provide enough spatial articulation for lounges, living rooms, and proscenia, while allowing the space to remain as one. All activities are projected onto the window plane framed by a contemporary porta regia.
MoMA PS1 Young Architects Program
Mirror Mirror explores the institutional definition of PS1 through the triangular figure of its courtyard, proposing the mutual reflection of this space and the city through a billowing roof surface and the redefinition of its perimeter wall as an urban mirror. The edges of the triangular courtyard are lifted to make its space visible as an urban figure, then used as the frame from which a shimmering surface of mirror tiles is draped. The tile pattern ranges from fully mirrored at its edges to a halo-like void at its lowest point, dissolving this collective accumulation of tiles to create space for a singular moment of contemplation at its center. A gravel mound lifts viewers above ground level for a direct view over the courtyard wall and accommodates tiered seating for events, while the surface of the concrete wall is mirrored to double both mound and roof between courtyard and street. A colonnade of wood beams at the perimeter of the triangle houses a variety of hanging elements for cooling and play, including mist, showers, buoys, and swings. Through a crowdsourced campaign each mirror tile is customized with an inscription of 140 characters, investing participants in the collective form of the billow and creating a memento through 17,000 personal mirrors sent to contributors after the closing of the pavilion. At night, spotlights turn the field of mirrors into a glittering backdrop for the Warmup party and other PS1 events.
A Proposal for Guggenheim Helsinki
A new Guggenheim in Helsinki should be, above all, of and for the city. We propose an archaeological approach to the museum as an urban space: a large plinth in which gallery spaces are concentrated, excavated from above and sheltered by a roof to create The Hall, an open public platform from which the contents of the museum are revealed below. The largest of these excavations forms the iconic urban space at the center of the Guggenheim Helsinki: The Square, a perfect cube cut equally into the plinth below and the roof above. Hovering above The Hall, a cloud-like roof provides an open scaffolding for the contents of the museum within. Its structure provides a dense space frame for hanging large artworks in The Square, while its volume acts as an arch that diffuses these loads onto the field of columns that fills The Hall.